Print, Visuality, and Gender in Eighteenth-Century Satire

The Scope in Ev ry Page

af Katherine (University of Rochester Mannheimer

This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" - a moment at which widespread attention was being paid, for the first time, to forma